It isn’t often that you hear the words “tender” about a horror film and not have it refer to the consistency of human flesh, but the Swedish film Let The Right One In (Låt den rätte komma in), directed by Tomas Alfredson, is just that: a surprisingly tender and simultaneously horrific vampire movie. This strange [...]
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"Attempting to burrow and disappear into the admiration of certain works of art, I tried to make such deep and pure identification that my integrity as a human self would become optional, a vestige of my relationship to the art. I wanted to submit and submerge, even to die a little. I developed a preference, among others, for art that required endurance, that mimicked a galactic endlessness and wore out the nonbelievers. By ignoring my hunger or my need to use the bathroom during a three-hour movie by Kubrick or Tarkovsky, I'd voted against my body, with its undeniable pangs and griefs, in favor of a self composed of eyeballs and brain, floating in the void of pure art." ---- Jonathan Lethem, "The Beards"Recent Comments
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