Some random thoughts — actually, questions — which I wrote right after seeing Robert Bresson’s Lancelot du Lac last week: It was a choice between Mean Girls and Lancelot du Lac, and the latter won. (I was also trying to console myself for not seeing “Spamalot” last week with Bulletproof Vest.) I’m still trying to [...]
Where the Title Comes From.
"Attempting to burrow and disappear into the admiration of certain works of art, I tried to make such deep and pure identification that my integrity as a human self would become optional, a vestige of my relationship to the art. I wanted to submit and submerge, even to die a little. I developed a preference, among others, for art that required endurance, that mimicked a galactic endlessness and wore out the nonbelievers. By ignoring my hunger or my need to use the bathroom during a three-hour movie by Kubrick or Tarkovsky, I'd voted against my body, with its undeniable pangs and griefs, in favor of a self composed of eyeballs and brain, floating in the void of pure art." ---- Jonathan Lethem, "The Beards"Recent Comments
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- 100% Lino Brocka, "Tinimbang Ka Ngunit Kulang" (1974) / "Insiang" (1976).
- 90% Hayao Miyazaki, "Ponyo" (2008).
- 83% Lino Brocka, "Maynila sa Mga Kuko ng Liwanag" (1975).
- 70% Pascal Laugier, "Martyrs" (2008).
- 69% Russell Mulcahy, "Resident Evil: Extinction" (2007).
- 69% Paul W.S. Anderson, "Resident Evil" (2002) / Alexander Witt, "Resident Evil: Apocalypse" (2004).
- 64% Brillante Mendoza, "Kinatay" (2009).
- 55% Jean-Luc Godard, "2 or 3 Things I Know About Her" (1967).
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- 28% Michel Gondry, Video for Kylie Minogue's "Come Into My World" (2002).
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