I’m clearly warped. I didn’t expect to enjoy Eli Roth’s Hostel; part of my refusal to see it when it first came out was the fact that international debates on torture were going on at the time, and to derive entertainment from what is essentially snuff-porn seemed politically reprehensible, and still does. But I did [...]
Where the Title Comes From.
"Attempting to burrow and disappear into the admiration of certain works of art, I tried to make such deep and pure identification that my integrity as a human self would become optional, a vestige of my relationship to the art. I wanted to submit and submerge, even to die a little. I developed a preference, among others, for art that required endurance, that mimicked a galactic endlessness and wore out the nonbelievers. By ignoring my hunger or my need to use the bathroom during a three-hour movie by Kubrick or Tarkovsky, I'd voted against my body, with its undeniable pangs and griefs, in favor of a self composed of eyeballs and brain, floating in the void of pure art." ---- Jonathan Lethem, "The Beards"Recent Comments
Most Popular (since July 2009)
- 100% Lino Brocka, "Tinimbang Ka Ngunit Kulang" (1974) / "Insiang" (1976).
- 90% Hayao Miyazaki, "Ponyo" (2008).
- 83% Lino Brocka, "Maynila sa Mga Kuko ng Liwanag" (1975).
- 70% Pascal Laugier, "Martyrs" (2008).
- 69% Russell Mulcahy, "Resident Evil: Extinction" (2007).
- 69% Paul W.S. Anderson, "Resident Evil" (2002) / Alexander Witt, "Resident Evil: Apocalypse" (2004).
- 64% Brillante Mendoza, "Kinatay" (2009).
- 55% Jean-Luc Godard, "2 or 3 Things I Know About Her" (1967).
- 52% Denisa Reyes and Mark Gary, "Hubad" (2009).
- 28% Michel Gondry, Video for Kylie Minogue's "Come Into My World" (2002).
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