From the Wiretaps.

A sampling of topics from my e-mail and IM conversations of the last seven days:

- the Joker as the Übermensch

- Gotham = Baghdad

- “Is Batman a Jack Bauer-like Republican vigilante figure, who takes the hatred of the world upon himself to do the necessary work of getting rid of terrorism, or a slightly-more-liberal figure who represents the moral gray zones surrounding every good action?” [quoting my friend Eleanor here without permission]

- “I was just watching Les Miserables… here was the symptom of postmodernity if there ever was one — a musical phenomenon that hit the world globally as the… faith in revolution declined. Now that there ain’t large metanarratives, all we’re left with is Harvey Dent…” [quoting my friend Kiko here, also without permission]

- Alfred as servant and father figure

- the burning of currency and postmodern chaos

- Bruce Wayne is to Harvey Dent what the Batman is to the Joker — or a different configuration altogether?

- Does power still lie in the hands of “the people” (including, paradoxically, the incarcerated), and do they ultimately correct the extralegal excesses of the state?

- The Dark Knight, the new iPhone, queues, obsessive consumer mentality, and the demise of national ritual, secular and otherwise

- IMAX and the aesthetics of scale

- Christopher Nolan quoting Michael Caine in Entertainment Weekly: “Superman is the way America sees itself, but Batman is the way the world sees America.”

- and Tina Turner’s “We Don’t Need Another Hero”

I haven’t responded yet to Gladys’ comments, on female identification and Wanted — it’s over at my American Pop entry — but more food for thought: according to EW, 48 percent of the audience at The Dark Knight were women. (I can hear your answer already, though: “Christian Bale, duh.”)

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Possibly related posts:

  1. Guillermo del Toro, “Hellboy 2: The Golden Army” (2008) / Christopher Nolan, “The Dark Knight” (2008).
  2. Christopher Nolan, “Batman Begins” (2005).
  3. The Best Movies I Saw In 2008.

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